![]() “Oh, mamma mia, it’s not easy,” says Brunero, a stylish 40-something. I survived all the years in captivity’: Reggiani in court in 1998. Brunero and her business-partner husband have now become Reggiani’s de facto minders, tasked with ensuring the 67-year-old sticks to her parole and quietly rebuilds her life as a regular citizen. “I’ve never worked in my life and I don’t intend to start now,” she told her lawyer.īozart, with its Renaissance-style premises full of sparkling necklaces and chandeliers, was obviously an acceptable compromise. She turned down her first offer of release in 2011, according to the Italian press, because the very idea of working horrified her. Sentenced to 26 years on appeal, Reggiani was required to find a job as a condition of her parole. She’s off work with a bad back,” says Alessandra Brunero, co-owner of Bozart, a Milanese costume jewellery firm that has employed Reggiani as a “design consultant” since April 2014. Understandably then, when I try to find her, Reggiani’s inner circle doesn’t seem keen to let her near another journalist. There was this Aussie thing of not flaunting your wealth,” he says.“My eyesight is not so good,” she lobbed back. “They were millionaires, but they’d get around in shorts and thongs they’d deliberately try to keep a low profile. His 1999 feature debut Two Hands was set firmly in the world of working-class white Australian criminals though fictional, his characters were inspired by real-like crims such as Neddy Smith and Christopher Flannery. ![]() ![]() There was nothing shadowy about this underworld figure – and for Jordan, that was part of the fascination. Heavily tattooed, his body pumped by steroids and weights, and with a penchant for flashy Italian brand-name fashion, Barbaro was an Instagangster who loved to post images of himself and his fast cars to social media. That would be music to the ears of Pasquale, who was just 35 when he was gunned down in Sydney’s inner west. They’re not nice, but you can’t take your eyes off them.” He was very compelling in the same sort of way that someone like Tony Soprano or Tony Montano is. He was audacious, flashy, fearless in a way. Telling a story about somebody who was not very likable was quite difficult. He was vain, he was violent, he bashed up his wife, he organised murders, he was a snitch. “It’s a story about a not very nice guy,” says Jordan. It was almost like a dramatisation of a current news event.” “It was a very unusual experience doing a true story of someone who had just been murdered. “At first I couldn’t wrap my head around how you would tell such a story,” says Jordan. By early 2017, they had the bones of what would become Australian Gangster. “I reckon they were just being nice.” But a glimmer of hope is better than none, so they began work on this other Pasquale Barbaro story, just in case.īy December, writer-director Gregor Jordan ( Two Hands, Ned Kelly, Dirt Music) had flown in from the United States to start developing a storyline, with input from a number of crime reporters and former police officers. “That’s our audience.”Īs they left the meeting, John – one of the industry’s most experienced and respected producers, whose credits include Rush, The Secret Life of Us, Love My Way and Offspring – told his son he was sceptical. That’s our show, right there, someone said, pointing to the skanks line.
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